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作 者:李建东[1] 张振台[2] LI Jian-dong , ZHANG Zhen-Tai (1. School of Humanities of Nantong University, Nantong, Jiangsu 226019 China; 2. Editorial Department of Journal of Xinxiang College, Xinxiang, Henan 453003 China)
机构地区:[1]南通大学文学院,江苏南通226019 [2]新乡学院学报编辑部,河南新乡453003
出 处:《平原大学学报》2007年第6期36-39,共4页Journal of Pingyuan University
摘 要:茅盾与自然主义有一个较复杂的关系。一方面茅盾在理论和创作上都受着自然主义的影响,另一方面茅盾本人在很长的历史时期又不愿意承认这一点。本文主要通过理论和创作上的比较,说明茅盾接受自然主义并对之进行了新的改造。同时也阐释现实主义与自然主义两概念在新文学早期于接受上的一致性。There is a rather complicated relationship between MaoDun and naturalism. In one sense, Mao Dun was influenced by naturalism in both his theories and works. In the other sense, for quite a long historical period, he himself denied this point. Through the comparison between Mao Duffs theories and works, this paper is trying to present that Mao Dun had accepted naturalism and made some transformation about it. Meanwhile, it also interprets the correspondence in accepting the two concepts-realism and naturalism at the beginning of the New Literature.
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