论郁达夫传记文学的“文学”取向  

On the "Literary" Orientation of Yu Dafu's Biographical Writing

作　　者：辜也平[1] 

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《浙江师范大学学报（社会科学版）》2007年第6期44-49,共6页Journal of Zhejiang Normal University(Social Sciences)

基　　金：教育部社科研究基金项目"中国现代传记文学史论"(05JA750.11-44005);国家社会科学基金项目"中国现代传记文学研究"(06BZW055)

摘　　要：郁达夫有关传记文学的理论与实践并未受到深入的、充分的认识。在传记文学的理论提倡方面,郁达夫具有文学自觉,主张把传记文学与史学彻底区别开来。在他传写作方面,他对传主的选择包含了某种身份的认同,除与传主进行直接的交流或单独的抒发外,作品一般也体现了作者与读者沟通交流的意向。在自传写作方面,他注意选取关键性事件,侧重表现"内心的变革过程",有意回避宏大的历史叙述而注重重要生活画面的描绘,对叙事视角和叙事话语的运用也体现了进行叙事实验的艺术自觉。总之,郁达夫强调传记文学的文学性,并且身体力行,大胆尝试,这在中国现代传记文学发展史上都有重要的价值和意义。Yu Dafu＇ s theory and practice of biography have not been understood in an in-depth, comprehensive way. In his theory of biography, Yu＇ s literary consciousness leads to his advocacy of the separation of biography from historiography. In his biographical writing, his choice of biographees reflects his recognition of the latter＇ s identity; and, in addition to the dialogues with them or his monologues, his biographical works al- so express his willingness to communicate with the readers. In his autobiographical writing, Yu tends to select key events and emphasizes the ＂process of inner changes＂; he intentionally avoids the grand, historical way of narration, and highlights the description of important scenes in his life ; his application of the narrative point of view and discourse also shows his artistic consciousness of narrative experiment. In short, Yu＇ s emphasis on the belles-lettres property of biography and courageous personal experiment therewith are of great significance and value to the development of biographical literature in modern China.

关 键 词：传记 文学 史学 自传 

分 类 号：I207.5[文学—中国文学]