略论勃洛克文学批评的特色  

A Tentative Analysis of Blok’s Literary Criticism

作　　者：郑体武[1] 刘涛[1] 

机构地区：[1]上海外国语大学俄语系,上海200083

出　　处：《外国语》2007年第6期64-68,共5页Journal of Foreign Languages

基　　金：教育部博士点基金项目<勃洛克研究>(项目编号03JB75047-99001)阶段性成果

摘　　要：俄罗斯诗人勃洛克的文学批评具有三个总体特征:诗文呼应、抒情品格、意义变奏。勃洛克的文学批评与他的诗歌之间存在着一种内在的有机联系,它们分别从不同的角度、以不同的方式涉及同一个问题,彼此补充,相互阐释,合力构建出勃洛克文学思想的大厦。勃洛克文学批评的语言是充满象征的诗化语言。勃洛克排斥概念和理论,喜欢用直观的感悟来阐发自己的思想。因而,在他的文学批评中,"音乐"、"原生力"、"文明-文化"等概念展开了灵性的翅膀,翱翔在诗歌技巧、文学理论、文化哲学、社会思想等领域,从而形成了意义变奏现象。Russian Poet Blok＇ s literary views as a whole exhibit three features ：echo of its poetic writing and literary criticism, the quality of lyrics, and the variation of meanings. There is a close kinship between his literary critical views and his poetry： one echoes the other in terms of subject matters either from different angles or in different ways. The language he uses to express his critical thinking/views is poetic, always with symbolic meanings. Blok never likes abstract ideas and theories. What he loves to do is to express his feelings intuitively. Therefore in his critiques appear more often than not such concepts as ＂ musicality＂, ＂ Proto-power＂, ＂civilization-culture＂ with wings of intuition that are swinging among poetry, theory, philosophy, and social thinking, hence the variation of meanings.

关 键 词：勃洛克 文学批评 诗文呼应 抒情品格 意义变奏 

分 类 号：I512.064[文学—其他各国文学]