论《宠儿》的杂糅性  

On Hybridity of "Beloved"

作　　者：张少林[1] 

机构地区：[1]广西师范大学外国语学院,广西桂林541004

出　　处：《河南科技大学学报（社会科学版）》2007年第6期61-63,共3页Journal of Henan University of Science & Technology(Social science)

摘　　要：《宠儿》作为黑人诺贝尔文学奖获得者托妮.莫里森最有影响的小说,在写作技巧上有独到之处。作者一反文学文本的常规模式,运用新颖独特的"杂糅"技巧,把对立的文学题材、相反的意象寓意,人鬼合一的人物身份、以及分属不同文学理论的创作方法杂糅合一,使小说产生了变异、突出、陌生化的效果,有力地烘托了小说主题。“Beloved” is a masterpiece by Toni Morrison, a black Nobel Prize winner cultivated by the hybrid culture of the United States of America. The author hybridizes the traditionally incompatible genres of history story and ghost story into one novel, the positive and negative images into a single object, the identities of a living soul and a ghost into one character and features of different literary theories into one text. In this way, the novel breaks the common mode of the literary text, gives the effect of alienation, unique and estrangedness and displays the leitmotiv forcefully.

关 键 词：《宠儿》 美国小说 托妮·莫里森 

分 类 号：I106.4[文学—世界文学]