叙事意象及其在《聊斋志异》中的运用  

Narrative Image and Its Used in ″Liaozhaizhiyi″

作　　者：袁凤琴[1] 文春凤[1] 

机构地区：[1]巢湖学院中文系,安徽巢湖238000

出　　处：《枣庄学院学报》2007年第6期63-66,共4页Journal of Zaozhuang University

基　　金：巢湖学院一般科学研究项目(XWY-200507)

摘　　要：在研究《聊斋志异》叙事模式的过程中,叙事意象应该引起应有的重视。《聊斋志异》中的叙事意象包括植物意象、动物意象、人文意象等。植物意象体现为各种花的意象,既带有我国民族文化的传统内涵,又在具体的小说文本中产生新的意味。动物意象选择一些拥有具体物性的动物表象,通过情节的展开,生发出丰富的意蕴和文化内涵。人文意象或贯通情节或深化意义,既具有审美特征又具有文化内涵。Through the research of the narrative pattern of ＂Liaozhaizhiyi＂, the narrative image should bring to the attention which should have. ＂Liaozhaizhiyi＂ narrative image including plant image, animal image, humanities image and so on. The plant image manifests for the image which respectively plants flowers, both has our country, national culture the traditional connotation, and has new meaning in the concrete novel text. The animal image chose had the concrete natural animal representation, through concrete plot launching, produced rich meaning and the cultural connotation in the concrete animal representation. The humanities image either links up the plot or the deepened significance, both has the esthetic characteristic and to have the cultural connotation.

关 键 词：聊斋志异 叙事意象 植物意象 动物意象 人文意象 

分 类 号：I206.2[文学—中国文学]