水工美学的理论框架  

Theoretical Frame of Hydraulic Aesthetics

作　　者：刘冠美 

机构地区：[1]四川省都江堰东风渠管理处,四川成都610081

出　　处：《河海大学学报（哲学社会科学版）》2007年第4期8-11,共4页Journal of Hohai University：Philosophy and Social Sciences

摘　　要：人文水利要解决的是水与文化、水利与人的关系问题。水工美学的研究对象是山、水、水工建筑物的序结构,是美学四载体形、光、与声、色的最优配置。我们应以诗心、书骨、画眼、园趣、乐感、文蕴、哲理去建构水工美学。This paper points out that the key issue of humanistic water conservancy is to deal with the relationship among water,culture,and human being.The research object of hydraulic aesthetics is the order structure of mountain,water,and hydraulic building,which is the optimized disposition of shape,light,sound,and color.It is necessary to construct hydraulic aesthetics from the perspective of poetic feeling,calligraphy skeleton,painting technique,gardening interest,musical rhythm,literary implication,and philosophic theory.

关 键 词：人文水利 水工美学 理论框架 

分 类 号：TV-05[水利工程]