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出 处:《中国文化遗产》2007年第6期10-19,共10页China Cultural Heritage
摘 要:左江流域自古以来一直是骆越民族及其后裔壮族劳动耕耘、生息繁衍之地。先民们绘制了规模宏大壮观的崖壁画艺术。以花山为代表的左江崖壁画,以数量多、分布集中、规模壮观、画面宏大、画像众多、形体高大、内容抽象,意境神秘等重要价值,为学术界所称道。这些崖壁画把先民们的信仰、生产生活习俗及艺术风格记录下来。有些习俗至今在壮族民间的一些节庆活动中保留着。为了民族群体的神圣信仰需要,先民们采用相应的方法,甚至是浩大的构架工程,攀登绝壁进行绘画。这也许就是了骆越人为何要冒着生命危险,攀登到如此陡峭险峻的悬崖峭壁上去绘制岩画的原因。The Zuojiang Tributary Areas has always been the land where the Luo Yue people and their offspring, Zhuang people have labored, lived and multiplied. The ancient people of Luo Yue created a large scale of rock art, grand and magnificent. Zuojiang rock art, with Huashan mountain as one of its outstanding representatives, are highly praised by the whole academia, for its historic, literary and artistic values in quantity, denseness in distribution, magnificence in scale, tremendous figures, high and tall physiques, precipitous cliffs, abstract contents and mysterious artistic conception. The beliefs, productive and living customs of ancient people, as well as their artistic features were all recorded by these cliff mural paintings. Some of their customs have been preserved well up to now in some festivals and celebrations of the Zhuang people. For the sake of some collective and holy beliefs of the whole ethic group, the ancient people of Luo Yue create cliff mural paintings by adopting some proper and effective methods or carrying out huge projects sometimes. That was the very reason why the Luoyue people painted on such steep cliffs with the danger of losing their lives.
关 键 词:左江流域 广西 敦煌 中越边境 珠江上游 早期文明 西南部 两岸
分 类 号:K879.41[历史地理—考古学及博物馆学]
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