北宋中后期词坛“曲词派”词体诗化理论发皇  

Finding the Ci-poetized Theories of the Ci-tuneful School During the Middle-late Period of the Northern Song Dynasty

作　　者：许伯卿[1] 

机构地区：[1]宁波大学文学院,浙江宁波315211

出　　处：《宁波大学学报（人文科学版）》2007年第6期10-14,共5页Journal of Ningbo University：Liberal Arts Edition

基　　金：浙江省哲学社会科学规划课题(N04WX06)

摘　　要：北宋中后期词坛,曲词派理论家虽仍多尊奉《花间集》,以"协律和声"和"娱宾遣兴"之类理论观点,守护晚唐五代以来形成的词体特性,但在时代新风的吹拂下,在词体演变规律和文学创作规律的作用下,其理论和创作都出现或强或弱的诗化的倾向,从而在客观上成为诗化派和词体诗化理论的襄助者和补苴者。他们所取得的具体理论成就,应予充分关注和科学辨析。During the Middle-late Period of the Northern Song Dynasty, the Ci-tuneful School though following those cisenses of Singing Songs Among the Flowers, still maintained the Ci stylistic features formulated since the late Tang Dynasty and the Five Dynasty, by emphasizing such points of view as ＂harmonious tune＂ and ＂the function of entertaining guests＂ characterizing Ci. Influenced by the laws of Ci development and literary creation, the Ci-tuneful School began to have a tendency to merge poetic factors into their theories and works, which largely promoted the Ci-poetizing Theory. Their achievements in Ci theory building should be paid due attention to and analyzed scientifically.

关 键 词：北宋中后期 曲词派 词体诗化理论 

分 类 号：I207.23[文学—中国文学]