《莎乐美》:从唯美主义到现实主义  

An Ethical Study of Wilde's Salome

作　　者：刘茂生[1] 方红[2] 

机构地区：[1]江西师范大学外语学院 [2]江西师范大学国际教育学院

出　　处：《外国文学研究》2007年第6期164-170,共7页Foreign Literature Studies

基　　金：2007年度江西省高校人文社科课题"王尔德唯美主义艺术创作的伦理思想研究"【课题编号:WX0719】的阶段性成果

摘　　要：王尔德在塑造道连这一唯美艺术形象之后,艺术追求出现了新的变化,即从他所坚持的唯美主义艺术立场转向现实主义艺术立场。《莎乐美》是王尔德创作的第一部戏剧,也是这种创作转变的明显标志,在其戏剧创作中具有承上启下的作用。王尔德在创作《莎乐美》的时候,虽然主观上仍然企图坚持唯美主义艺术思想,但是他在塑造莎乐美这一艺术形象时,已经逐步地放弃他的唯美主义艺术而向现实主义艺术转变。莎乐美就是王尔德企图在戏剧中塑造的体现其艺术主张的唯美形象,但与此前的艺术形象已经有着本质的不同。王尔德无法通过艺术的手段,把生活在道德现实中的莎乐美塑造成像道连那样的形象,因为他无法消除隐藏在莎乐美身上的道德特征,也无法割断她与道德环境的联系。Wilde＇ s literary practice undergoes a change after his writing of Dorian. He turns from aestheticism to realism. This can he found in Salome, his first drama that marks the transition of his artistic pursuit. Although Wilde still tries to cling to his aestheticism while writing Salome, we find in it his gradual giving up of aestheticism to realism. As a figure to represent his aestheticism in drama, Salome is in nature different from the previous characters. Wilde is unable to create Salome as a character like Dorian, because Salome is a figure living in moral reality that cannot he morally hidden and removed. In Salome we can find moral qualities that cannot he separated from her moral environments.

关 键 词：王尔德 《莎乐美》 唯美主义 文学伦理学批评 道德 

分 类 号：I561.073[文学—其他各国文学]