庄子乐论的宇宙精神  

Universal Spirits in Zhangzi's Theory on Music

作　　者：谢雨佟[1] 

机构地区：[1]云南省社会科学院编辑部,昆明650034

出　　处：《柳州职业技术学院学报》2007年第4期108-111,共4页Journal of Liuzhou Vocational & Technical College

摘　　要：《庄子》对音乐的论述无形式上的系统,宇宙化的音乐是能表现"气化流行,生生不息"的天地境界"天乐"。庄子讲求在"虽出人工,宛若天成"的艺术技巧修养的基础上,经过精神修养,实现音乐与宇宙的和谐为一。他强调适性之乐,注重音乐的个体娱乐性,而不是群体的政治教化。本文旨在通过《庄子》的道论,根据"法天贵真"的主旨,批判儒墨乐论,探讨庄子乐论的独特性。In Zhuangzi the whole account of music is clearly non-systematic. However, here is something sufficiently definite, that is, music stemming from nature is highly appreciated .Because the music is music presenting Dao. Zhuangzi thinks Dao is a certain kind of character of music, a character on the meaning of cosmos. The music can be called as “Heaven music” since it displays a realm in which matter force transforms and grows like a flowing river without a stop. Zhuangzi puts an emphasis on a kind of art technique, which is artificial but just like innate. By the training of this technique, Zhuangzi intends to ac- complish a harmony between music and cosmos. Zhuangzi looks forward to music in accordance with one＇s nature. In his eyes no community＇s political enlightenment but individual′s entertainment should be consid- ered as important . On the ground of the principle about following example of the Heaven and thinking highly of reality, the article criticizes the theories on music of Confucian School, and then inquires into the specialization of Zhuangzi＇s music theory.

关 键 词：庄子 道 乐 理 心 

分 类 号：J60-02[艺术—音乐]