网络恶搞:仪式下的狂欢与抵抗——基于《一个馒头引发的血案》的分析  

Internet Kuso:Carnival and Resistance in Ceremony

作　　者：余建清[1] 

机构地区：[1]武汉大学新闻与传播学院,湖北武汉430072

出　　处：《重庆邮电大学学报（社会科学版）》2008年第1期78-82,共5页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：教育部人文社会科学重点研究基地重大项目"当前我国传媒消费主义文化现象研究"(项目编号:05JJD860166)的相关成果

摘　　要：恶搞是当前十分流行的网络文化。通过巴赫金的"狂欢化"理论和伯明翰学派的青年亚文化理论,从内、外两个维度分析了恶搞片《一个馒头引发的血案》。从内在维度看,恶搞运用戏仿的技巧,体现了浓厚的狂欢色彩;从外在维度看,恶搞运用了拼贴的手法,表现的是青年亚文化对主流文化的抵抗。但是,无论狂欢还是抵抗,都仅仅是一种仪式而已,网络恶搞的实质是在解放的旗帜下宣泄生命的冲动。Kuso is a popular Internet culture at present. Through Bakhtin＇s theory of ＂carnival＂ and the theory of subculture represented by Birmingham school, this paper studies the Kuso film ＂A Murder Caused by a Steamed Bread＂ from internal and external aspects. From the internal dimension, Kuso uses the dramatic technique, which shows strong revelry color; from the external dimension, Kuso uses the methods of pasting materials, which represents the resistance of subculture to mainstream culture. However, no matter carnival or resistance, both of them are a kind of ceremony. The essence of Internet Kuso is a catharsis of llfe impulse under the flag of liberation.

关 键 词：恶搞 狂欢 亚文化 仪式 

分 类 号：G206[文化科学—传播学]