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作 者:陈家洋[1]
出 处:《海南大学学报(人文社会科学版)》2007年第6期687-690,共4页Journal of Hainan University (Humanities & Social Sciences)
基 金:江苏省教育厅高校哲学社会科学基金项目(06SJB750013)
摘 要:自20世纪90年代以来,乡土文学创作主体因乡村逐渐被城市化进程裹挟,乡土本位意识呈现出紧张状态。对近年几部有代表性的乡土叙事作品的解读,可以看出这种紧张状态的一个突出表现是创作主体对农民与土地关系的困惑和焦虑;而缓解这种紧张状态最为典型的方式是在作品中强化乡村的生态意义,以"野地"与"城市"作直接对抗。Since 1990s, the rural area, which is the majority of rural literature creation, has gradually been embedded in the process of urbanization and it must abide by city' s developmental logic. The country subject character is in the dilemma. The self sufficiency system in country area opens wide and its stationary structure has been shaken. As a result, the rurality-based consciousness (proposed by the author) becomes stressed. By an interpretation of several works on local narration in recent years, we can make out that the most representative behavior of the rurality-based consciousness is authors' bailment and anxieties on the relation between peasants and land, and the most typical mode for remission of this stressed state is to emphasize country ecological significance and to make use of "wilderness" to resist "urbanity".
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