美与生命本性的召唤——中国新诗现代化进程中的邵洵美  

Beauty and the call of nature of life——Shao Xunmei and Chinese modern poetry

作　　者：高蔚[1] 

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《河北师范大学学报（哲学社会科学版）》2008年第1期66-71,共6页Journal of Hebei Normal University(Philosophy and Social Sciences)

摘　　要：作为20世纪中国的唯美主义诗人,邵洵美为中国新诗所引入的美的观念,意义不凡。他力图通过译介西方唯美-颓废主义诗人诗论诗作,为唯美-颓废艺术思想作为一种美学原则而融入中国艺术精神,拨去理论与情感上的迷雾。他对诗的品性的定位,把诗融入了哲学、宗教、历史、思维、心理等人类文化的总体构成里。他所强调的诗的形式要与诗的品性相和谐,把新诗引入了对美的姿态、颜色、形状以及灵魂的凝视。然而,邵洵美对官能享受的率真颂赞,不仅没有为他赢得新诗美学现代性追求的桂冠,反而使他被钉在"颓加荡"的十字架上。Shao Xunmei is regarded as the only esthetic poet in China in the 20th century for his translated introduction of the estheticism from the west into Chinese modern poetry. His anthology serves as a framework of poetry combined with philosophy, religion, history, thinking, and psychology. He argues that the poetry is harmonious in rhyme, inner nature, and depictions of color and form of beauty. However, all this leads not to his laurel, but to his eternal shame.

关 键 词：邵洵美 中国新诗 唯美-颓废主义 先锋艺术 

分 类 号：I206.6[文学—中国文学]