再论音乐文献学  

On Musical Philology Anew

作　　者：郭小林[1] 

机构地区：[1]四川音乐学院图书馆,成都610021

出　　处：《黄钟（武汉音乐学院学报）》2008年第1期128-132,共5页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：在我国,音乐文献学的学科概念已提出21年,对此有不同阐释。要弄清学科概念,就需要定义。在明确了音乐文献学的研究对象、学科范畴、研究方法和目的意义,进而弄清楚了音乐文献学的属性特征后,可以试着为音乐文献学下这样的定义:音乐文献学是运用普通文献学理论和方法,以音乐文献和音乐文献工作为主要研究对象,旨在揭示其形态演变、社会流传和整理利用特殊规律,并为音乐活动提供文献信息保障的一门专科文献学。The academic conception of musical philology had been proposed more than 21 years, and the research achievement were remarkable. The writer pointed out that there were some basic ideas on musical philology need to clarify, subject definition need to perfect, and its quality need to explicit. Based on the preceding discussing, the paper made more exploring on those issues.

关 键 词：音乐文献 音乐文献学 音乐文献工作 

分 类 号：J605-053[艺术—音乐]