泉镜花与日本自然主义文学  

Izumi Kyoka and Japanese Naturalism Literature

作　　者：张晓宁[1] 

机构地区：[1]沈阳师范大学外国语学院,辽宁沈阳110034

出　　处：《解放军外国语学院学报》2008年第1期100-104,共5页Journal of PLA University of Foreign Languages

摘　　要：泉镜花以独特的浪漫主义风格和独创的精湛语言艺术独树一帜,对日本文学影响深远。但"镜花文学"兴盛之时恰逢日本自然主义文学的繁荣时期,因此泉镜花有生之年被视为"异端",被冷落在自然主义文学之外。如今得到重新评价的"镜花文学"已被人们提升到新的高度来加以认识,可以说,作为主流的自然主义文学与作为"异端"的"镜花文学"共同繁荣了日本近代文学。With his romantic style and original and creative language, Izumi Kyoka had a great impact on Japanese literature. But as ＂Kyoka Literature＂ appeared at the same time when Japanese naturalism literature prevailed, Izumi Kyoka＇s works were viewed as ＂heresy＂ when he was alive. Now, however, the re-evaluated ＂Kyoka Literture＂ has been raised to a new status in Japanese literature to be fully appreciated. The mainstream Japanese naturalism literature and the ＂heretic Kyoka Literture＂ both contributed to the flourishing of the Japanese modem literature.

关 键 词：泉镜花 日本自然主义文学 镜花文学 异端作家 

分 类 号：I313.06[文学—其他各国文学]