变奏的复调——从妥思妥耶夫斯基到昆德拉  

The varied polyphony

作　　者：张移祥[1] 汤世亮[1] 

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《柳州师专学报》2008年第1期58-62,共5页Journal of Liuzhou Teachers College

摘　　要：巴赫金借用音乐学术语"复调"创立了以对话为核心的复调小说理论。在此基础上,昆德拉建构了以对位为核心的现代复调小说理论。本文试图结合妥思妥耶夫斯基与昆德拉创作的一系列复调小说,将复调理论在不同发展阶段的艺术特征进行了概括和比较,以期展示其更加平等、开放、多元的现代性发展模式。Bakhjin used the musicology terminology “polyphony” to establish the Polyphonic Novel Theory with the dialogue. In this foundation,Kundera constructes the modern Polyphonic Novel Theory, which is based on the counterpoint. This article tries to summa-rizes and compares the artisti characteristic of Polyphonic Novel Theory in the different development phase,Passing a series of polyphonic novels by Dostoyevsky and Kundera,thus,to show the more equal,open and modernity developmemt reform for it.

关 键 词：复调小说 对话 对位 现代性 

分 类 号：I109.5[文学—世界文学]