古代神魔小说中的宝瓶崇拜及其佛道渊源  

The Treasure Bottle Adoration and Its Source of the Sutra and Tao in Ancient Ghost Novels

作　　者：刘卫英[1] 

机构地区：[1]大连大学学报编辑部,辽宁大连116622

出　　处：《东北师大学报（哲学社会科学版）》2008年第1期140-145,共6页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：国家社会科学基金项目(02BZW022)

摘　　要：明清小说宝瓶神物崇拜广义上也包括宝罐及瓶状器物,如如意瓶、杀敌瓶、囚敌瓶等。作为神魔小说一个重要艺术机杼,直接来源于佛经文学叙事及道教法器信仰。宝瓶与现世兵器有多重区别,审美价值在于:使夸张特定人物的超自然能力更为可信;适合妖怪多"谪仙"下界的身份,不至使其因杀戮过甚难于收场,"暂困"还不至于亵渎"超级英雄"和天将们的尊严;宝瓶类兵器内深藏不露的隐秘性,以"瓶中世界"展演了佛教空间观,开辟了神魔叙事更多的空间世界和艺术表现力,同时其多与咒术、符等相结合,体现了佛教"不杀生"而使敌手在囚禁中"自灭自毁"思想,较大程度上减少了利用宝物屠杀"生灵"所可能带来的副作用。In Ming- Qing novels, the treasure bottle adoration also included the treasure jar and liked bag, which can divided into satisfaction bottle, killer bottle, prisoner bottle. As an important art image, it comes from literature narrate of Sutra and religion of magic utensil in Tao. There are many differences between the treasure bottle and the avail weapon. Its esthetics consist in making the exaggerating of the supernatural ability of the special character more true. This mode adapts to the ghost that was reduced from the supernatural being, which makes them reduce killing anima. Meanwhile, this mode cannot make the supernatural hero and the supernatural general lose dignity. The secrete of the weapon like the treasure bottle shows the conception of the space - time of the Sutra by the world in the treasure bottle. And it creats many space world of ghost narrate and esthetics expressive force,which always combines with conjuring and symbol and shows the spirit that the anima cannot be killed in the Sutra and make the enemy be scraped into death. The negative action that the supernatural being kill anima by the treasure was greatly reduced.

关 键 词：神魔小说 佛经故事 宝器功能 中外交流 

分 类 号：I207.41[文学—中国文学]