文化融合:1940年代中国现代主义诗学的理想图式  

Cultural Fusion:Ideal Schema of Modern Chinese Poetics in 1940's

作　　者：吴井泉[1] 

机构地区：[1]哈尔滨师范大学中文系,黑龙江哈尔滨150080

出　　处：《北方论丛》2008年第1期38-43,共6页The Northern Forum

摘　　要：20世纪40年代中国现代诗学涌现出一股新诗现代化潮流,其中九叶诗派诗学理论家袁可嘉和唐湜是这一潮流的领军人物。新诗现代化的核心是建构中国现代理想的诗歌图式,其建构的路径是文化融合:即原欲型文化与理性型文化的融合,以此创造出生态更加自觉平衡的或以原欲型文化为主的含有理性型文化的现代化的诗;或以理性型文化为主的融有原欲型文化的现代化的诗。这两种诗歌的文化形态应该代表中国新诗的现代化方向。There emerged a whiff of medemized trend of new poems in China＇ s modern poetry in the forties of the 20th century; among them, Yuan Kejia and Tang Di of nine leaves poetry were the main leaders of the trend. The core of new poems medemization was to construct China＇ s modem and ideal poem schema. Its building route was cultural fusion： the integration of wanting culture and rational culture, on this basis, created the modem poems having the rational culture and taking the wanting culture mainly, or the modern poems having the wanting culture and taking the rational culture mainly. The two cultural shapes of poem should represent the modernized direction of China＇ s new poem.

关 键 词：现代诗学 现代主义 九叶诗派 诗学建设 文化融合 

分 类 号：I207.25[文学—中国文学]