在人的知识基础上的艺术建构——20世纪中国家族小说的逻辑基点  

The Artistic Construction on Human Knowledge——The Basic Point of Logic of Chinese Family Fiction in the 20th Century

作　　者：许祖华[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《信阳师范学院学报（哲学社会科学版）》2008年第1期111-118,共8页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

基　　金：教育部留学基金项目:20世纪中国家族小说研究(232501)

摘　　要：20世纪中国家族小说是在中国社会、文化的转型和中外文学的碰撞、交汇的背景下建构的,它的逻辑基点也直接受到了其背景的影响。总的看来,20世纪中国家族小说建构的逻辑基点就是"文学是人学"的文学观念,而这一观念又是与关于人的知识分不开的。正是在这一逻辑基点上,20世纪中国家族小说形成了自己家族叙事及关于家族话语的特征。Chinese family fiction in the 20th century is produced with the transition of the society and culture as well as the appearance of the conflicts and fusion of Chinese and wostem literature. Meanwhile, its basic point of logic is also affected by such a background. Generally speaking, with the literary concept of ＂literature being human study＂, the basic point is closely connected with the human knowledge and helps Chinese family fiction in the 20th century form its own features as the family discourse.

关 键 词：家族小说 逻辑基点 文学是人学 家族叙事 家族话语 

分 类 号：I206.7[文学—中国文学]