宋代题山水画诗中的通感  

Synesthesia in the Poems for the Landscape Paintings in Song Dynasty

作　　者：钟巧灵[1] 

机构地区：[1]湖南人文科技学院中文系,湖南娄底417000

出　　处：《中国文学研究》2008年第1期80-81,86,共3页Research of Chinese Literature

摘　　要：宋代诗人在题咏山水画时,很善于运用通感,他们往往由视觉而生发,调动听觉、触觉、味觉等多种感觉体验,全身心地投入艺术的品赏之中,从而获得全方位的感官和精神享受;同时以题画诗的方式,以画为真,以虚就实,巧妙地表现出绘画作品的生动性。Poets often attracted by the beautiful scenery as they were enjoying in the landscape paintings, so they might arise the illusion that the paintings were in the real world. To start with enjoying paintings by eyesight, poets would also use other senses, fully devoted themselves into the enjoyment for art, thus they could gain the omni - directional sensory enjoyment. Therefore, poets usually made use of synesthesia and illusion in representing the poems for the landscape, so they could turn imaginary things seeming to be real, thus the vitality of paintings could be conveyed skilfully.

关 键 词：宋代 题山水画诗 通感 

分 类 号：I207.22[文学—中国文学]