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机构地区:[1]中国艺术研究院,北京100029
出 处:《西北民族研究》2008年第1期173-180,106,共9页Journal of Northwestern Ethnic Studies
摘 要:甘南郎木寺乡赛赤寺法会中的宗教乐舞“羌姆”,以往的文献记载及研究十分有限。为了填补郎木寺“羌姆”研究之空白,我们深入该地区,对“羌姆”宗教仪礼乐舞的整体结构、艺术特征、社会功能及文化内涵等方面进行客观记录并进行本体性理论探讨,以便进一步认识和保护这一既具有悠久历史文化传统,又具有独特审美价值的艺术。There were, in the past, very much limited written records and research materials on the Qiangrnu, a religious musical dance played during Dharma Occasion in Langmu Temple, Gannan. In order to fill the vacuum in the study of the Qiangmu, we have walked into the area and carried out an investigation, based on objective recording and ontological theoretical study, into the overall structure of the religious ritual dance, its artistic characteristics, its social functions, its cultural connotations, hoping to make further contribution in the understanding and preservation of this historical cultural art tradition which is full of unique aesthetic significance.
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