飞来峰纪年藏传四臂观音三尊龛造像初探  

作　　者：赖天兵 

机构地区：[1]清波街柳浪阁2—1—602室,浙江杭州310002

出　　处：《中原文物》2008年第1期74-79,共6页Cultural Relics of Central China

摘　　要：本文确定了杭州飞来峰四臂观音三尊龛的建造年代与施主身份,并通过考察四臂观音三尊组合形式的演变及对造像龛现状的分析,推定龛中已毁两像的尊格。三尊造像的组合形式系由印度传入西藏,然后再随藏传佛教传到汉地;造像藏风显著,但也含有一定的汉地因素。本龛是国内已知窟龛中唯一带有纪年题记的四臂观音三尊像,且在四臂观音题材作品中纪年最早——建成于元世祖至元二十四年(1287年),是大一统的元代藏传佛教的流行及藏汉艺术交流的有力佐证。The niche of the four - armed Avalokitesvsra Group in Feilaifeng was bulit by Guo in 1287. The destroyed side statues should be the Sadaksari Mahavidya and Manidhara. The combination of the three statues was firstly spread to Tibetan from India, and then was spread to the Han- Chinese area together with the Tibetan Buddhism. Among the date works, The niche is the first one in the same subject. The statue also reveals both Tibetan and Chinese stylistic elements. It＇s the powerful evidence of the spreading of the Tibetan Buddhism and the communication of the Tibetan- Chinese art in China in Yuan dynasty.

关 键 词：飞来峰 至元二十四年 四臂观音三尊造像龛 

分 类 号：K879.4[历史地理—考古学及博物馆学]