“科学主义”、“整理国故”与20世纪前半叶的书学反思  

"Scientism","Rearranging the National Heritage" and Reflection on calligraphic thoughts in the first half of the 20th century

作　　者：徐清[1] 

机构地区：[1]杭州师范大学美术学院,浙江杭州310012

出　　处：《南京艺术学院学报（美术与设计）》2008年第2期68-71,共4页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：杭州市2007年度哲学社会科学规划重点课题<20世纪中国书学疑古考辨之研究>的研究成果之一。(A07LS01)

摘　　要：20世纪前半叶,在"科学主义"思潮与"整理国故"运动的浸染下,部分书家、学者对传统书学进行质疑和反思,包括对书学著述思想与编撰方式的检验、对历代书法史旧说的重新认知等,希望以科学理性观念为指导,以科学方法进行书学研究。20世纪前半叶的书学反思,因此成为整个20世纪书学史进程中的重要环节。In the first half of the 20th century,under the influnce of Scientism Thought and Rearranging the National Heritage Movement,some calligraphers and scholars queried and reflected on the traditional calli-graphic thoughts,including writing thought,compiling method and old versions in calligraphy history.They hoped that calligraphic studies may be performed by scientific method,under the guidance of the scientific rationality concept.Reflection on calligraphic thoughts in the first half of the 20th century therefore has be-come an important link in the history of calligraphic study in the 20th century.

关 键 词：20世纪 书学反思 科学主义 整理国故 

分 类 号：J292.1[艺术—美术]