波提切利绘画图式的风格要素再分析  

Re-analysis on the Style Elements of the Patterns in Botticelli’s Paintings

作　　者：郑春泉[1] 

机构地区：[1]南京艺术学院美术学院,江苏南京210013

出　　处：《南京艺术学院学报（美术与设计）》2008年第2期98-101,共4页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：15世纪是马萨乔运用透视学和解剖学获得成功的时代,佛罗伦萨的其他艺术家们也纷纷效仿这种力图表达现实世界的"新风格"来赢得更广泛的社会价值认同。在这样一种人文环境中,波提切利的作品却呈现出关注宗教主题的终极思考中的迷茫。基于波提切利艺术创作中的这种个性要素,本文从他独特的"美的形式"的来源入手,着眼于他作品中绘画图式的风格要素进行分析,去解读波提切利的绘画图式背离现实主义风格,以哥特式形式表达他对艺术与伦理价值的深刻理解的内在根据。15th century was just the time when Masaccio succeeded in making use of Perspective and Anatomy in painting.Other artists in Florence also followed this 'new style' of painting that tried to ex-press what the real world looked like to gain general accept of the social value.In this humanistic context,Botticelli’s painting presented his confusion in the ulti-mate thinking on religious theme.On the basis of this character element in Botticelli’s art,starting from the resource of his unique 'form of beauty',this thesis analyzes the style elements of the patterns in his painting,and finds out that the patterns of Botticelli’s painting had departed from realistic style and ex-pressed his profound understanding on art and ethi-cal value in the Gothic form.

关 键 词：波提切利 绘画图式 风格要素 

分 类 号：J205[艺术—美术]