略论文艺消费的主体构成  

On the Subject Construction of Literature-art Consumption

作　　者：何志钧[1] 

机构地区：[1]鲁东大学汉语言文学院,山东烟台264025

出　　处：《山西师大学报（社会科学版）》2008年第2期95-98,共4页Journal of Shanxi Normal University(Social Science Edition)

基　　金：2007年度山东省艺术科学重点课题(2007101);2006年山东省博士后科研专项经费资助(200603104)

摘　　要：从历时态的角度说,文艺消费的主体经历了从单一主体到多元主体、从无主体到主体再到后主体的演变,其情况十分复杂。从共时角度说,在当代市场社会的有机依赖体中,商业化的出版、发行和销售网络、批评机制、大众传媒、种种文艺机构、各种类型的消费者群体共同营造了大众文艺消费的场域,在一个众语喧哗的消费场中呈现出的是众多的交互性主体,文艺消费活动更像是一种妥协、协商的结果。From the diachronic point of view, the concept of subject has undergone a complicated evolution from single subject to muhisubject, from subject to post - subject. From the synchronic point of view, in the market society, the mass literature -art consumption field is built up by commercial publishing and issuing, internet sell- ing, critique mechanism, mass media, and various kinds of literature - art institutions, various types of consuming colony. In a tumult -consuming field, only the interacting subjects can be found. The literature -art consumption is likely to be the reasuh of compromise and negotiation.

关 键 词：文艺消费 主体 构成 

分 类 号：I206.7[文学—中国文学]