敦煌讲唱文学对戏曲的影响探析  

The Exploration of Impact of Donghuang Preaching Literature on the Play

作　　者：刘清玄[1] 刘再聪[1] 

机构地区：[1]西北师范大学,甘肃兰州730070

出　　处：《甘肃联合大学学报（社会科学版）》2008年第2期50-54,共5页Journal of Gansu Lianhe University:Social Sciences

摘　　要：敦煌讲唱文学的类型多种多样,艺术形式丰富多彩,是唐五代时期在敦煌地区广为流行,能够表现普通民众的社会生活、思想感情、理想愿望,同时又采用了广大民众喜闻乐见的形式的通俗文学作品。敦煌讲唱文学在类型、体制诸方面富含戏剧因素,因而对其加以分类和探讨,对戏曲起源的研究将有所裨益。Donghuang preaching literature takes various kinds of forms and different types, which was popular in Donghuang in Tang Dynasty and Five Dynasties and that could express the social lives, emotion and ideal wishes as well as that adopted light literature people love to see and hear. Donghuang preaching literature didn＇t come into the true art until Tang Dynasty through thousands of years＇ development and brew from Qin Dynasty, Western Han, Eastern Han, Jin Dynasty Northern and Southern Dynasty. The classification and exploration of it can cast much bestead to the origin of the play the academia focus owing to the factors of play in forms and systems of Donghuang preaching literature.

关 键 词：敦煌遗书 讲唱文学 戏曲因素 

分 类 号：I276.6[文学—中国文学]