论李涵秋社会言情小说对近代狭邪小说的突破与超越  

The Breakthrough and Transcendence of Li Hanqiu's Social and Loving Fiction over Modern Courtesan Novel

作　　者：刘明坤[1] 罗钊[2] 

机构地区：[1]扬州大学文学院,江苏扬州225002 [2]云南民族大学预科教育学院,云南昆明650031

出　　处：《长江师范学院学报》2008年第1期138-140,144,共4页Journal of Yangtze Normal University

摘　　要：李涵秋的小说客观的反映出了各阶级、各阶层在那个时代的心灵史和社会的历史变迁,将言情与社会结合起来,以社会为经,言情为纬,全面反映了那个时代的历史面目,在文学史上具有重要的意义。而近代狭邪小说也有自我的独特价值,它将小说的表现对象由繁琐的家庭故事改为特殊的社会故事,将展现感情为主的清代人情小说转变为展现士人生活为主,确定了自身的历史地位。但由于表达"情"与"社会"范围的限制,狭邪小说对比于社会言情小说有着巨大的缺点,从而导致了它无可挽回的走向末路。Li Hanqiu was a great writer of social loving fiction in the period of late Qing Dynasty and early republic. His fiction, combining love and society, objectively reflects the history of the soul and the change of society and is of great significance to literary history. Modem courtesan novel has its unique value in that it established its historical position by changing the writing objects from trivial family stories to special social stories and changing the human feeling novels of Qing Dynasty to the novels about the life of scholars. Because of the limitation in expressing the ＂love＂ and ＂society＂, courtesan novel, however, in comparison with social loving story, has its great drawbacks which lead to its doom irrecoverably.

关 键 词：狭邪小说 李涵秋 社会言情小说 超越 

分 类 号：I207.65[文学—中国文学]