京派作家的文化观  

The Beijing--School Authors' Cultural View

作　　者：刘勇[1] 艾静[1] 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《北京师范大学学报（社会科学版）》2008年第2期131-138,共8页Journal of Beijing Normal University(Social Sciences)

基　　金：北京哲学社会科学“十一五”规划重点项目;北京文化发展研究基地重点项目“北京文化发展报告”(06AF2H049)

摘　　要：京派作家不是一个严密的文学团体,在实际创作中也存在很大差异,并且学术界对京派的研究长期存在着激烈争议。但他们拥有相似的文化观,这一文化观主要体现在自然人性观、古典审美情结和中立包容、沉稳宽厚的文化姿态三方面。其中这种文化姿态的形成受到了学院文化和北平文化的双重滋养。正确把握和理解这种独特的文化观,为我们认识京派作家的整体性提供了一个坚实的依据;同时也对我们准确理解和把握京派作家本身的蕴含与风格,认识其历史定位及现实影响,具有独特的作用。Beijing-school authors are not a literary community in its strict sense. In fact, a great diversity is there in their practical creations; accordingly, a hot debate on it has long existed in the academic circle. Nevertheless, they hold a similar cultural view, which is chiefly embodied in three general aspects, that is, （i） natural personality outlook, （ii） classical aesthetic tendency and impartiality tolerance, and （iii） steadiness and broad-mindedness. Proper command of such a unique cultural outlook helps us grasp better the holisticality of the Beijing-School authors, including their characteristics, their literary styles, their historical status and current influences.

关 键 词：京派作家 京派文学 文化观 

分 类 号：I206.6[文学—中国文学]