关于毛泽东《在延安文艺座谈会上的讲话》的若干思考  

Thoughts on MAO Ze-dong's Speech

作　　者：詹艾斌[1] 詹贵斌[2] 

机构地区：[1]江西师范大学当代形态文艺学研究中心,江西南昌330022 [2]南昌大学人文学院,江西南昌330031

出　　处：《江西教育学院学报》2008年第1期74-77,共4页Journal of Jiangxi Institute of Education

摘　　要：历史地评价毛泽东的《在延安文艺座谈会上的讲话》(以下简称《讲话)》,需要关注其得以产生的语境。《讲话》中最富有创造性、最能体现毛泽东文艺学思想的实质,并且在马克思主义文艺学思想发展史上卓有价值的部分,是关于文艺与群众、文艺与生活这两个问题的论述。在特定的社会历史条件下,《讲话》成为了新中国文艺运动的"共同纲领"。其基本精神在历史的今天依然具有重大的现实指导意义,是建设当代中国先进文化的重要思想资源之一。Estimating historically MAO Ze-dong＇s the speech of literature and art symposium in Yan＇an needs to emphasize the context which occurs. The discourse on the two issues of literature and multitude and literature and living is the most creative, It realizes enough the essence of MAO Ze-dong＇s thought of science of literature. Moreover, it is the most value part in the thought development history of Marxist science of literature. In socio-cultural context, the speech becomes ＂the common programme＂ of literature and art movement in New China. Today, its basic spirit still has great real meaning. Moreover, it is an important thought resource on construction of contemporary advanced culture of China.

关 键 词：《在延安文艺座谈会上的讲话》 语境 文艺与群众 文艺与生活 “共同纲领” 

分 类 号：A841.2[哲学宗教—马克思主义哲学]