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出 处:《巢湖学院学报》2008年第2期62-66,共5页Journal of Chaohu University
基 金:教育部人文社会科学研究"十五"规划第一批研究项目(项目编号:01JA750.11-44031)
摘 要:钱钟书的《围城》塑造了以方鸿渐为代表的三四十年代中国知识分子的精神典型。在他们身上,笔者发现鲁迅笔下的阿Q精神再次复活,所不同的是,他们对于自身的劣根性有着清醒的认知,但却依然安于此道,是一种"明知故犯"的阿Q精神。本文旨在通过分析《围城》中的人物,对阿Q基因的继承和变异,进而开掘其与阿Q存在的相同与不同的文化根源,进行文化反思。其次,从艺术手法角度来看,笔者发现鲁迅、钱钟书都是运用了模糊小说情节、抽象凸现人物精神气质的手法,为我们奉献了阿Q、方鸿渐两个精神典型。再有,作为讽刺幽默的两位大师,鲁迅更侧重于社会批判的姿态,对与实际的现世生活格格不入的荒诞的人和事进行尖锐的讽刺,钱钟书则是以学者的睿智"过滤"出平凡生活中的喜剧和哲理。Qian Zhongshu provided Chinese intellectuals′ spirit type from 1930s to 1940s which is represented by Fang Hongjian in “Besieged city”. Meanwhile, we can find “Spiritual victory” from their mind. But, these intellectuals were aware of their deep-rooted bad traits clearly. This is different with “Arab League Q”.So we call this trait “Intentional Arab League Q spirit” .In this article, first, the author wanted to analyze the relationship between characters in “Besieged city” and Arab League Q .Then the author discovered the cultural .reasons which produce “Spiritual victory ”.Second, the author discovered Luxun and Qian Zbongshu both used some same writing skills, confusing novel′s plots, enlarging character′s details, abstracting character′s spirit and so on.. Third, Luxun and Qian Zhongshu were both famous as satirists. But, Luxun was good at societal criticism and satirizing absurd people and affairs. Qian Zhongshu which was scholastic writer was good at discovering the comedy and philosophy from common life.
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