金代文学与女真族文学历史发展新探  

The Literary History of Jin Dynasty and Nuzhen Nationality Revisited

作　　者：周惠泉[1] 

机构地区：[1]吉林师范大学满族文化研究基地

出　　处：《江苏大学学报（社会科学版）》2008年第2期16-22,共7页Journal of Jiangsu University(Social Science Edition)

基　　金：国家社会科学基金项目(07BZW064)

摘　　要：金代文学反映了一个复合型文明体系,作为精英文化的汉语书面文学和作为民间文化的女真语口承文学分流并进,构成金代文学无比丰富的多样性形态,诗、词、文都对北宋有所继承和发展。院本杂剧、诸宫调和俗谣俚曲尤以崭新面貌和杰出成就出现在文学史上,对于北曲的形成和走向产生了影响。伴随着民族融合的进程,女真族无比生动的口头文学以真率自然的话语方式在金代文坛上盛极一时。特别是女真族口承史诗性长篇叙事文学——传统说部的崛起,给金代文学带来了新的因子和新的元素,极大地发展和提升了金代文学乃至整个中国古代文学的深刻内涵,促进了中国文学史的架构由内涵单一的传统格局向多维多元的完备体系转型与嬗变。The Jin literature reflects a compound system of civilization, in which the elite written Chinese literature developed together with the folk Nuzhen literature of oral tradition, adding to the diversity of the Jin literature that inherited and developed on its own the Northern Song literature in both verse and prose. The Jin dramas and folk songs gave a fresh presence and stood out in Chinese literary history, influencing the shaping and development of Bei Qu （Northern Tune）. With the merging of nationalities, the vivid Nuzhen oral literature boomed with its simple, natural discourse. In particular, the rising of Nuzhen long epical oral narratives the rise of traditional stories not only infused new factors and elements into the Jin literature, but also greatly developed and elevated the deep connotation of the Jin literature, or even the ancient Chinese literature on the whole, helping the Chinese literary history to transform and change from a monotonous pattern to a full plural multi-dimensional pattern.

关 键 词：金代文学 女真族文学 元好问 口承长篇叙事文学 

分 类 号：I206.2[文学—中国文学]