思想与雕像的互动——中国古代雕塑题材的文化意义  

The Interaction between Thought and Statue——The Cultural Connotations of the Subjects in Ancient Chinese Statues

作　　者：龚钢[1] 

机构地区：[1]浙江教育学院艺术学院,浙江杭州310012

出　　处：《杭州师范大学学报（社会科学版）》2008年第2期108-113,共6页Journal of Hangzhou Normal University(Humanities and Social Sciences)

摘　　要：中国传统雕塑具有独特的民族个性和艺术风格,反映在题材选择以动物而不是人物造型为主的特点上,与中国古代观念世界有着深刻的精神联系。从一般思想史的角度来看,中国古代以祖先崇拜为内容的巫觋宗教,视宇宙与人为一体的自然宇宙观,人鬼合一的知识信仰等等,都曾以不同方式对中国古代雕塑产生过极其深远的影响。这些古老的知识、思想和信仰,不只是与古代雕像形成互动,而且还以价值观和思维模式,左右了数千年来中国古代雕塑的心路历程。Traditional Chinese statues have their own national individuality and artistic style, which can be reflected in the subject selection of animals rather than figures. It has much to do with the ancient Chinese ideological world, With regard to the general ideological history, the shaman religion in ancient China, which concerns the worship of ancestors, advocated the world outlooks that the universe and man are harmonized into one and the belief that man and ghost are integrated. This had exerted a farreaching influence on ancient Chinese statues. Those ancient outlooks and beliefs not only interacted with ancient Chinese statues but also dominated the development of ancient Chinese statues for thousands of years.

关 键 词：中国古代 雕塑 巫觋宗教 自然宇宙观 信仰 

分 类 号：J309.2[艺术—美术]