从西门庆形象看晚明官商文化的特征  

The Official and Commercial Cultural Characteristics in the Last Ming Dynasty Reflecting from the Image of XIMEN Qing

作　　者：胡金望[1] 张则桐[1] HU Jin-wang, ZHANG Ze-tong （ Department of Chinese Language and Literature, Zhangzhou Normal University, Zhangzhou 363000, China）

机构地区：[1]漳州师范学院中文系,福建漳州363000

出　　处：《徐州工程学院学报》2008年第1期62-65,共4页Journal of Xuzhou Istitute of Technology

摘　　要：《金瓶梅》男主人公西门庆形象具有丰富的文化内涵，从他的发迹变泰的历程可以看出，中国古代社会到了明代中叶出现了具有新的时代特征的官商文化，16世纪末17世纪初的中国没有融入世界的经济、文化体系，官商文化应该是强大的阻碍力量。《金瓶梅》的重要的认识意义在这里突显出来。The hero of The Golden Lotus, XIMEN Qing, takes on rich cultural connotation. From XI- MEN Qin＇s process of coming up into the world, it is revealed that an official and commercial culture with fresh sign of the times came into being when ancient Chinese society were in the middle period of Ming Dynasty. During the late 1600＇s and the early 1700＇s, China had not entered into the world＇s economic and cultural system yet, and the official and commercial culture had become a strong hindrance, thus the important cognitive meaning of The Golden Lotus stands out.

关 键 词：《金瓶梅》 西门庆 官商文化 

分 类 号：I207.419[文学—中国文学]