消极浪漫与神学美学——以柯勒律治的诗歌及相关作品为例  

Passive Romanticism and Theological Aesthetics:the Poetry and Other Writings by Coleridge

作　　者：李枫[1] 

机构地区：[1]首都师范大学国际文化学院 北京100089

出　　处：《中国比较文学》2008年第2期29-40,共12页Comparative Literature in China

摘　　要：本文以欧洲基督教思想史上的浪漫主义神学家、英国“湖畔诗人”的重要代表人物柯勒律治的诗歌及相关作品为例，从不同的角度分析消极浪漫与神学美学的关联，并由此提出：消极浪漫主义与西方基督教神学美学无论在其表现形态、内容构成，还是所蕴涵的内核上，都有着千丝万缕的关联。消极浪漫主义的诗歌及主要文本表现形式，亦成为西方基督教神学关学的主要进路及基本经典的重要来源之一。The poetry by Samuel Taylor Coleridge （1772-1834）, an important Romantic theologian in the history of European Christian thoughts and one of the Lake Poets, can serve as examples for the relationship between Passive Romantic and Western Christian theological aesthetic both in style as well as in substantial con- tents. It shows that Western Christian theological aesthetic draws much of its inspiration from Passive Romanticism. In fact, Passive Romanticist poetry and other writings make the approaches and classics of Western Christian theological aesthetic itself.

关 键 词：神学美学 消极浪漫 诗歌研究 进路与经典 

分 类 号：I5[文学—其他各国文学]