媒体技术本体化的歧路与审美思考低限化的隐忧  

On the Crossroad of the Media Technology Ontology and Worries about the Limit of the Aestheticization

作　　者：傅守祥[1] 应小敏[2] 

机构地区：[1]浙江大学人文学院,杭州310028 [2]浙江传媒学院,杭州310018

出　　处：《新闻界》2008年第2期10-12,9,共4页Journalism and Mass Communication

基　　金：国家社会科学基金项目(06BZX018)的阶段性成果

摘　　要：以媒体技术本体化与视觉文化审美化为表征的新意识形态的弥散,深刻影响着当代文化的发展。物质性存在的强势与观念性存在的低限之间的博弈,是数字艺术以及电子视觉文化无法回避的现实。"数字化生存"的技术和"艺术化生存"的人文相互协调,才能实现数字艺术的平衡发展。The expanding of the new ideology which is characterized by the media technology ontology and visual culture aestheticization, has an important impact on the development of contemporary culture. The game between materialization existing and spiretual existing, is the reality of digital art and electronic visual culture. The harmonious relation between the technology of digital existing and the art existing helps to realize the balance development of the digital art.

关 键 词：媒体技术本体化 视觉文化审美化 数字艺术 技术与人文 

分 类 号：G206[文化科学—传播学]