理论与创作的双重建树——周立波关于文艺民族化和大众化的论述与实践  

Dual Achievement of Theoretic and Creative Works:Zhou Libo's Account of Literature & Popularization

作　　者：彭萍[1] 罗孝廉 

机构地区：[1]湖南城市学院中文系,湖南益阳413000 [2]益阳教育学院中文系,湖南益阳413000

出　　处：《湖南城市学院学报》2008年第2期70-74,共5页Journal of Hunan City Univeristy

基　　金：湖南省哲学社会科学基金立项课题(06ZC160)

摘　　要：周立波《山乡巨变》等小说表现出了鲜明的民族化与大众化的独特风格,这是他长期理论探索的灿烂成果,也是他一贯的艺术追求。周立波早在20世纪30年代就积极参与了文艺大众化问题的讨论。毛泽东《在延安文艺座谈会上的讲话》发表后,他更是自觉地走向人民文学的道路。他主张艺术家要用独特的艺术眼光精当地吸取中国古典艺术遗产的精华,形成自己作品鲜明的民族特色。在如何运用方言土话于创作方面,周立波也有自己成功的创作经验和独特的理论阐述。The unique style of nationalization and popularization of literature and art is embodied in Zhou Libo＇s Great Changes in the Mountain Village. This is the fruitful achievements that he had studied and searched for. Zhou Libo took an active part in the discussion of the masses of the literature and art early in the 1930＇s. After publication of Chairman Mao＇s speech at Yan＇an Forum on Literature and Art, in theory and practice, he consciously took the road of learning the People＇s Literature. Meanwhile, he advocated that artists should make good use of Chinese classical heritage of the essence, by the unique artistic vision to form their own distinctive national features in their own works. Zhou Libo had successful experiences and unique theoretical expositions in applying the dialect in his writing and creation.

关 键 词：周立波 人民文学 民族化 大众化 

分 类 号：G206.7[文化科学—传播学]