侧艳与悲凉交织的诗歌旋律——江总诗歌研究  

The Poem Melody on Showiness and Mournfulness:Study on the Poem of Jiang Zong

作　　者：钟翠红[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《孝感学院学报》2008年第2期31-35,共5页JOURNAL OF XIAOGAN UNIVERSITY

摘　　要：诗人江总一生历经梁、陈、隋三朝,他身居高位却不理朝政,其人其诗都颇受争议。江总擅长五言、七言诗的创作,在其现存的百余首诗中,呈现出一种侧艳与悲凉相互交织的风格。梁、陈以来动荡的形势、末世的情结在文人心中投下的阴影是形成江总诗风的主要原因。Jiang Zong experienced a lot of difficulties during three successive dynasties of Liang, Chela and Sui, his official career was always successful. Although holding a high official position, he rarely took his responsibility, Jiang Zong is a rather disputable writer. The main dispute concentrates on the aspects of his humanness and literary accomplishment. He was good at indite about four-line poem＇ and five-line poem. There are several hundred of poems, which take on style of showiness and mournfulness. The reason is the roily Position of Liang and Chen dynasty, and the shadow in the mind of literator of last phase of age of thought.

关 键 词：江总 侧艳 悲凉 诗风 

分 类 号：I207.2[文学—中国文学]