《全元散曲》辑录的南套、南北合套考辨  

A Textual Research on Nantao and Nanbeihetao of Sanqu of the Yuan Dynasty

作　　者：许建中[1] 

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《西北师大学报（社会科学版）》2008年第3期27-32,共6页Journal of Northwest Normal University(Social Sciences)

基　　金：国家社会科学基金项目(02BZW018);江苏省"十五"社科规划重点项目(J2-007)

摘　　要：考辨现存元代南曲散套和南北合套之真伪,将直接影响我们对于散曲历史发展阶段的基本认识,意义重大。通过对《全元散曲》所辑元代南套和南北合套中南曲曲牌的曲律学考察,并与"戏文三种"和《九宫正始》所存的元代南曲相比较,根据曲牌在历史演变中同阶段相应的原则,获得了新的见解:在现存于《全元散曲》的17套南套和南北合套中,有6套元曲,另11套为明曲。A textual research on the truth and forgery of Sanqu of the Yuan Dynasty in Nantao and Nanbeihetao is significant to influence our understanding of the history of Sanqu directly. Through researching the science of Qulu in Nantao and Nanbeihetao edited in Sanqu of the Yuan Dynasty and comparing Xiwensanzhong with the Nanqu in Jiugongzhengshi according to the history of Qupai corresponding to its era, new opinion will be introduced in this Nanbeihetao in Nantao and Nanbeihetao existing today, 6 tao are Mingqu. paper： among the 17 Nantao and Yuanqu, and the other 11 tao are

关 键 词：《全元散曲》 南套 南北合套 元曲 

分 类 号：I207.24[文学—中国文学]