毛纶、毛宗岗论叙事结构  

The Comment on Narrative Structure of Mao Lun and Mao Zonggang

作　　者：黄娟[1] 

机构地区：[1]广东技术师范学院文学院,广东广州510665

出　　处：《邢台职业技术学院学报》2008年第2期79-82,共4页Journal of Xingtai Polytechnic College

摘　　要：毛氏在优秀的叙事作品中寻找艺术上的共同结构模式,主要扣住的是叙事作品的艺术建构方面,与作者的叙事目标尤其是其中的艺术方面紧密相联。也就是说,毛氏是从手段上来理解叙事结构的,这种理解弥补了西方叙事学漠视美的缺陷。Mao always to find the artistic common structural model from the excellent narrative works, and keep the point on the artistic structure of the works, and strongly connect to he narrative object, especially the artistic facts. In other words, Mao understands the narrative structure from the instrumentalities to fill up the deficiency of the overlook of aesthetics in western Narratology.

关 键 词：共同结构模式 艺术建构 叙事手段 

分 类 号：I206[文学—中国文学]