福克纳《押沙龙,押沙龙!》的立体主义叙事艺术  

Discuss on the Narrative Art of Cubist in Faulkner's Absalom,Absalom!

作　　者：陆双祖[1] 

机构地区：[1]甘肃政法学院人文学院,甘肃兰州730070

出　　处：《甘肃联合大学学报（社会科学版）》2008年第3期42-44,共3页Journal of Gansu Lianhe University:Social Sciences

基　　金：甘肃政法学院科研资助项目

摘　　要：《押沙龙,押沙龙!》是20世纪伟大的实验主义小说家威廉.福克纳的第九部小说,是现代小说独一无二的一种实验。本文把《押沙龙,押沙龙!》叙事艺术和形式实验的深层根源追溯到现代主义艺术的源头——立体主义。以立体主义为切入点,通过和立体主义绘画艺术的比较,重点从分解和重构这两个角度对小说的叙事艺术进行考察,分析其叙事上典型的立体主义特征,认为《押》艺术上最突出的特点在于其立体主义的叙事艺术。The ninth novel of Faulkner as Absalom ,Absalom , the great experimentalist of novelist in the 20th century. It is an unique experiment of modern novel. This paper holds that the narrative art and the experimental form of Absalom Absalom ! can be traced back to cubism, the source of modernist art. With cubism as the starting point, this paper discusses the narrative art of Absalom ,Absalom ! mainly from the two aspects of deconstruction and construction by comparing with the painting arts of cubism, and analyzes the typical cubist feature of narration. The conclusion is drawn on that the outstanding contribution of Absalom ,Absalom! is its narrative art of cubist.

关 键 词：《押沙龙 押沙龙》 立体主义 分解 重构 叙事艺术 

分 类 号：I106.4[文学—世界文学]