从杜甫与白居易的忧民歌吟看主体的“仁”格差异  

Understanding Du Fu and Bai Juyi's Different Benevolence through Their Civilian-cared Poems

作　　者：赵亚平[1] 

机构地区：[1]沈阳大学新民师范学院,辽宁沈阳110300

出　　处：《辽宁大学学报（哲学社会科学版）》2008年第3期50-54,共5页Journal of Liaoning University(Philosophy and Social Sciences Edition)

摘　　要：在以外施人道、内修人格为特征的儒家"仁学"思想模式及以阐发礼乐为目的的儒家诗学观念占统治地位的封建时代文化语境下,唐朝的诗坛上升起了两颗现实主义巨星——杜甫与白居易,他们忧民歌吟所抵达的儒家人道主义精神境界的高度是整个封建时代的任何诗人都难与俦比的,他们生命的过程就是各自用忧民歌吟诠释主体道德人格的过程。但主客观条件的不同又使同样以仁善为怀的主体道德人格显示出了很大的差异性——"苦身利人"式的平民诗人与"推己及人"式的贵族诗人的差异,而这种差异即可以通过其忧民歌吟在生存方式、思维方式、情感方式、行为方式等层面上透视出来。Under the feudal cultural background, dominated by Confucian ideological mode which is characterized by showing benevolence to other people and cultivating one＇s own personality and by Confucian poetry theories which aim at demonstrating proprieties and music, two great realistic poets, Du Fu and Bai Juyi, appeared on the Parnassus of Tang Dynasty. They spent all their lives expressing their morality through their civilian-cared poems. The Confucian humanity in their civilian-cared poems reached such a high level that no one can parallel it. Although they were both benevolent and kind, the different subjective and objective situations made a great difference in their morality. Du Fu was a civilian poet who was willing to sacrifice himself to do good to others, while Bai Juyi was a noble poet who would do as you would be done by others. In their civilian-cared poems the difference was presented by the manners of living, thinking, feeling and acting.

关 键 词：杜甫 白居易 儒家 忧民歌吟 “仁”格差异 

分 类 号：I207[文学—中国文学]