MIDI配器之贝司声音创作应用研究  

Research on the Application of Bass in MIDI Orchestration

作　　者：潘广宇[1] 

机构地区：[1]四川文理学院音乐系,四川达州635000

出　　处：《成都大学学报（社会科学版）》2008年第3期114-117,共4页Journal of Chengdu University (Social Sciences)

摘　　要：电子音乐创作是依赖于软件设备的环境而存在的,人们音乐审美的变化促使了电子音乐不断地发展更新,对贝司音色的创作、音域的应用及音响组合方式提出了新的要求,本文通过对MIDI贝司音色创作及新组合应用的探讨,阐述传统配器理念对现代电子音乐创作的影响及观念的更新。Electronic music creation is based on the software capacity and the diversification of human taste impels the upgrade of electronic music and calls for new patch invention, range of diapason and the combination of sound. Through the analysis of patch invention with bass and the application of its new variants, this article discusses the influence of traditional concepts to the modern electronic music creation and the conceptual revolution as well.

关 键 词：MIDI配器 电子音乐 MIDI贝司 

分 类 号：J628.2[艺术—音乐]