中国现代主义诗学目的论建构  

Construction of Chinese Modernism Poetics Teleology

作　　者：赵小琪[1] 

机构地区：[1]武汉大学文学院,武汉430072

出　　处：《中国文学研究》2008年第2期5-8,共4页Research of Chinese Literature

摘　　要：20世纪中国现代主义诗学受西方话语的影响,将古代诗学中被纳入负面价值范围的丑与恶等作为开掘人类与世界之真的正面价值进行了重新理解和阐释。在此基础上形成了与传统审美对立的审丑诗学。具体而言,这种审丑诗学目的论又主要表现为三种流向,即:对性本能的敞开、对死本能的发掘和对存在的焦虑、颓废的显现。由此,中国现代诗学对自身和世界的认识也获取了更为全面、深入的视野。The Chinese modernism poetics of 20 centuries is accepted the effect of west context, re - understands and re-ex-pounds ugly and evil and so on be brought into negative value range in the ancient poetics as digging true facade value of human being and the world have been in progress. Concretely, this anti-aesthetic poetics teleology mainly displays three directions： opening to sexual instinct, disinterring to dead instinct, anxiety to existence and decadent appearing. From this, the Chinese modem poetics has also gained the all- round and thorough oersoective for cognition of the oneself and the world.

关 键 词：诗学目的论 西方话语 中国现代主义诗学 审丑 

分 类 号：I206[文学—中国文学]