从《山南水北》看韩少功的人生取向与艺术追求  

From South of the Mountain North of Water to See Han Shaogong's Orientation in Life and Art Persuit

作　　者：龚政文 

机构地区：[1]湖南省作家协会,湖南长沙410008

出　　处：《中国文学研究》2008年第2期95-99,共5页Research of Chinese Literature

摘　　要：进入二十一世纪,韩少功季节性迁居湖南省汩罗市八溪峒水库,2006年出版《山南水北》,标志着一个都市人对乡村的回归,一个异乡人对家乡的回归,一个知识分子对民间的回归。他批判都市,但不拒绝文明;回归自然,但绝非成为隐者;置身民间,但并不认同愚昧。在艺术上,《山南水北》表现出一种理性观照下的感性呈现,真实世界中的神性想像和兴笔所至后的精心营构,是中国当代散文创作的重要收获。From the beginning of the twenty-first century, Hanshaogong removes seasonally to Baxidong Reservoir in Miluo County of Hunan Province, and published “South of the Mountain, North of Water” in 2006. This marks his return, which is a return of an urbanite to the country, a sojourner to homeland, an intellectual to folks. He criticizes the city but does not refuses civilization. He returns to the nature but does not become a hermit. He lives with folks but does not identify with ignorance. From the view of art, “South of the Mountain, North of Water” is a presentation of sensibility illuminated by sense, a divine imagination in the real world, a careful structuring more than casual inspiration noting. It is the significant acquisition of the contemporary orose creation.

关 键 词：《山南水北》 韩少功 人生与艺术 

分 类 号：I206.7[文学—中国文学]