祭神之舞法 场域之法器——荆山《扛神》的舞蹈与道具特征之探  

Witchcraft Brandishing in Sacrifice and Magical Instruments on the Spot:Exploration on the dance and instruments characters in Kang Shen from Jingshan

作　　者：李素娥[1] 

机构地区：[1]襄樊学院音乐系,湖北襄樊441053

出　　处：《襄樊学院学报》2008年第4期74-79,共6页Journal of Xiangfan University

基　　金：湖北省教育厅人文社会科学项目(2007y147)

摘　　要：《扛神》起源于先秦时期荆楚腹地的驱鬼逐疫仪式,是一种原始宗教的巫文化现象。它是一种融歌、舞、乐为一体,以多种道具为法器、带有宗教色彩巫术表演的民俗祭神仪式。在仪式场域的结构中,舞蹈是祭神最为活跃的因子,道具则视为通神最灵验的"法器"。文章从实地调查所采集的历史文献与口述资料入手,对《扛神》的舞法与法器中所隐蔽着的令人莫解的文化符号、形态特征作一初步梳理与描述,其意义在于为本领域的研究提供可参性的资料,并从中捕捉一些历史久远的信息。Kang Shen originates from the ritual for driving ghosts and diseases in Jing - Chu during Pre - qin Dynasty, it is a kind of folk witchcraft culture with the characteristics of ancient religion sacrifice. It is a concourse of songs, dance and music in which many magical instruments are used. On the ritual spot, dance is the most active factors and magical instruments are endowed with the most efficacious force. Based on historical literature and oral resources obtained via field survey, the author makes an analysis on witchcraft brandishing and instruments＇ mysterious signs and build characters to provide valuable references and to catch further historical information.

关 键 词：《扛神》 仪式场域 巫祭 舞法 禹步 法器 

分 类 号：K875.5[历史地理—考古学及博物馆学] K249[历史地理—历史学]