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作 者:熊晓萍[1]
机构地区:[1]广东商学院人文与传播学院,广东广州510320
出 处:《天津师范大学学报(社会科学版)》2008年第3期39-44,共6页Journal of Tianjin Normal University(Social Science)
摘 要:从传播学视角解读"80后"文学,可以看出其超出文学的诸多意义。大众狂欢与改变"认知失调"是"80后"文学的创作动力之一,人们在制造偶像的同时实际上是在塑造"自我",而网络"公共领域"则构成"80后"的特殊生存空间。This paper carries out a deeper exploration on the controversial literary phenomenon of "post-year 80" under the perspective of communication, from which we could find many significances beyond literature. It is regarded that mass fervor and "cognitive mismanagement" alteration are one of the motives for "post-year 80" literary writing. At the time for people churning out idols, they, in fact, are establishing "selves". Networking, a "public area", makes up a special living room for people born after 1980.
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