莎士比亚传奇剧新历史主义解读——以《暴风雨》的殖民主题为例  

On the New Historicism in the Romance of Shakespeare——Take the Colonial Theme in The Tempest as An Example

作　　者：张浩[1] 

机构地区：[1]合肥工业大学外国语言学院,合肥230009

出　　处：《合肥工业大学学报（社会科学版）》2008年第3期91-96,共6页Journal of Hefei University of Technology(Social Sciences)

基　　金：安徽省高校青年教师科研项目(2007JQW005);合肥工业大学科研基金资助项目(061710F)

摘　　要：文章从新历史主义文本批评的基本策略出发,根据其"文本中的历史和历史中的文本"的理论假设,在故事情节层面上把传奇剧《暴风雨》与历史文献的次文本记录进行对照以考察它们的契合点,分别从海上风暴、甲板混乱场景、殖民者与原住民的遭遇、精灵艾丽尔的出现四个主要戏剧情景层面揭示该剧在早期资本主义海外殖民扩张的历史语境中与相关历史文献的"商讨性"互文关系,历史和虚构在该剧中因而得到融合,最后指出莎士比亚的浪漫传奇剧文类凸现了殖民主题。In the light of the theoretical assumption ＂the historicity of text and textuality of history＂ of New Historicism, this paper is focused upon several analogues of dramatic scenes between the play and its subtexts in terms of their common concerns with colonial subject matter. Last, the author further points out that there exists a negotiation inter-textual relationship between Shakespeare＇s The Tempest and its historical subtexts and concludes that the genre of romance is deployed by Shakspeare in giving expression of colonial thematic concern.

关 键 词：暴风雨 新历史主义 互文性 传奇剧 殖民主题 商讨 

分 类 号：I106.3[文学—世界文学]