论理查德·赖特诗歌中的黑人美学思想  

On Black Aesthetics in Richard Wright's Poetry

作　　者：李怡[1] 

机构地区：[1]华中师范大学外语学院

出　　处：《世界文学评论（长江文艺出版社）》2008年第1期44-46,共3页The World Literature Criticism

摘　　要：本文根据理查德·赖特比较经典的三首诗歌,从以下三个方面分析他的诗歌中体现出的黑人美学思想倾向:首先,他力图在诗歌中界定困扰美国黑人的双重属性是一种在社会、文化意识形态中形成的悖论,它不仅揭示出西方殖民主义和种族主义文化对他者奴役的实质,也是衡量美国黑人文化内核——"黑人性"的美学思想的一种投射;其次,赖特诗歌中具有政治倾向性的黑人美学特征,使黑人文学能在一个伦理艺术范围内有效进行;第三,他诗歌中的布鲁斯语言文本及日本俳句体诗歌形式也是黑人美学不可或缺的元素,体现出他发掘黑人特质文化、争取话语权力的美学思想。赖特的上述努力反映了他在文学创作中的黑人美学思想倾向以及他希望实现文化多元化和种族平等的美好理想。This paper tempts to analyze Richard Wright＇ s thinkings of the black aesthetic tendencies explored in his poetry with his three poets as classical examples. In his poetry, he firstly sought to define ＂the dual consciousness＂ troubled African Americans as a Paradox long formed in the social and cultural ideology , revealing the nature of Western cultural colonialism and racism and projecting a measurement of ＂blackness＂, the core of black aesthetics in African American culture. Secondly, Wright＇ s political inclination has highlighted the black aesthetic characteristics, making black literature conduct effectively to meet ethical and artistic standards. He applied Blues and Japanese Haiku poetic style as indispensable elements of the black aesthetics to explore black cultural characteriscies and to strive for the equality of discourse power. In his peotry, Wright＇ s efforts mentioned above have reflected his black aesthetic and ideological inclination to the development of black American literature, expressing his ideal hope to achieve multi-culturalism and racial equality.

关 键 词：理查德·赖特 黑人美学 黑人性 诗歌 

分 类 号：I106[文学—世界文学] I207.22