再议任伯年肖像画艺术特征的成因  

Observation on Formation of Characteristics of Ren Bonian’s Portrait Art

作　　者：王一飞[1] 

机构地区：[1]中国美术学院

出　　处：《浙江艺术职业学院学报》2008年第1期89-94,共6页Journal of Zhejiang Vocational Academy of Art

摘　　要：任颐(1840—1895),字伯年,是中国近代绘画史上海派画坛最杰出的画家之一。本文通过对任伯年先生相关文献史料的考证,并对其代表性肖像作品的解析研究,以及学术界对任伯年人物画艺术的评价等论述,全面地阐释了任伯年肖像画的艺术特征,即讲求人物造型的严谨性与写实性,注重人物精神气质的刻画,以及在其笔墨中线条表现所呈现出的书写性和金石意味等特征,进而发掘造就其艺术特征的原因——"学古而变,取洋而化"的艺术精神。Ren Bonian is one of the most outstanding painters of Shanghai school in modern Chinesepainting history and the academic By a circ characteristics of Ren textual research on le＇ s comment on his Bonian＇ s portrait. It historical materials, an analysis of his representative portraits portrait art, the paper comprehensively expounds the artistic is realistic on figure, pays attention to mental expression, andembraces elements of calligraphy and inscription in the brushes. The paper holds that the artistic spirit of learning from the ancient and introducing the western into the oriental leads to the formation of characteristics of Ren Bonian＇ s portrait art.

关 键 词：任伯年 肖像画 写真 成因 艺术特征 

分 类 号：J205[艺术—美术]