明代戏曲论评对批评方法的运用  

Applying of Critical Methods in Drama Comments during Ming Dynasty

作　　者：邱美琼[1] 胡建次[1] 

机构地区：[1]南昌大学中文系,江西南昌330031

出　　处：《海南大学学报（人文社会科学版）》2008年第3期321-325,共5页Journal of Hainan University （Humanities & Social Sciences）

基　　金：国家社会科学基金项目(07czw001)

摘　　要：明代戏曲论评对批评方法的运用,主要体现在3个方面:一是对意象批评方法的运用;二是对比较批评方法的运用;三是对摘句批评方法的运用。明代戏曲论评作为我国古典曲学发展链条中的一个重要环节,它承上启下,在继承中拓展创新,为不同文学批评方法在清代戏曲论评中的进一步丰富、深化与完善提供了平台。Applying of critical methods in drama comments during Ming Dynasty was mainly embodied in three aspects： the applying of imagist criticism methods, of comparative criticism methods, and of putting-sentence criticism methods. Drama comments during Ming Dynasty, as an important link of Chinese classical drama theory, connected the proceeding and the following, expanded and developed the inheritance, and provided a platform for different literary critical methods which were further enriched, deepened and perfected in drama criticism in Qing Dynasty.

关 键 词：明代戏曲论评 批评方法 运用 

分 类 号：I237[文学—中国文学]